Joyce à Paris, ce n'est plus, ou c'est à peine, le carabin manqué de 1903, disséquant Aristote, canulant Saint Thomas. "Prix de Paris : beware of imitations". C'est encore un peu la figure menacée de canonisation que l'amitié dessine de la voix…

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The figure of James Joyce in Paris is no longer or hardly the wouldbe medical of 1903, disescting Aristotle and making game of Thomas Aquinas. "Prix de Paris: beware of imitations". It is somewhat that of threatened canonization which friendship still portrays. It is also, really, the author once-removed, in exchange for speech effects, a sheaf...

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